Over the past decade, I have created content optimized for presentation on a variety of evolving platforms. From producing editorial videos and Facebook ‘trailers’ to Vine cover animations and coordinating the content for several commercial Instagram feeds—I have collaborated with a variety of teams to effectively utilize each new platform. Below are excerpts from the various feeds I have managed, created animations, and filmed original content. In my work, Instagram has become the prevalent platform for editorial, creative and commercial endeavors:
Photo Editing:
Some recent stories I have produced and edited in collaboration with my colleagues at The New York Times Opinion and Magazine desks since March, 2020:
Seif al-Islam el-Qaddafi and the Future of Libya by Robert F. Worth, photographs by Jehad Nga
New York City in May by Various Photographers
Teenagers Dealing With High School in the Time of Covid by Sue Dominus, photographs by Kholood Eid
Andrew Cuomo’s White Knuckle Ride by Matt Flegenheimer, photo illustrations by Devin Yalkin
An-My Lê Portfolio for Opinion
Hare Scramble by Rebecca Soderholm for Opinion
NYC Terror Suspect by Rozina Ali, photographs by Taryn Simon
The Amazon Awakening by Erika Hayasaki, photo illustration by James Casebere, photographs by Reuben Cox and Kevin Cooley
Social/Multimedia Production:
Video editing and technical production for ‘Zoom Babies.’ Photographs and videos by Hannah Whitaker. Lead photo editors: Jessica Dimson and Rory Walsh.
Marketing account for independent photography imprint.
Five mini-video profiles rolled out on Facebook and Twitter to promote NYT Magazine article on the ethics of allowing young children to participate in extreme sports. Video by Shaughn & John.
@Stollerized, an account for the estate of American architectural photographer Ezra Stoller
NYT Magazine’s Great Performers Instagram Teaser
Photo and video editing for video by Michael Vahrenwald for Opinion.
The New York Times Magazine Cover Vine Archive, after 2015, by Karen Hanley and various contributors.
A Facebook trailer for Stephen Mallon’s photo spread of a large refinery platform in The New York Times Magazine, implementing software to convert thousands of stills to create a 3D stop-motion animation.
Personal photography account, with a high ratio of engagement. Was featured on The New Yorker Photo Department Instagram feed and as a large print portfolio in PORT Magazine.
Vine reveals for The 2014 World Cup Special Issues of The New York Times Magazine, Clinton Cargill, Photo Editor, Kathy Ryan, Director of Photography, Directed by David La Spina, produced with the help of Sarah Eckinger.
All-time most-emailed piece on the 6th Floor Blog—and #1 sitewide for a few days.
Social campaign for re-enactment of a 1959 high school baseball game, starring Pete Rose, produced by a fictional homestead museum.